6.5 of 58

Overnight 2003 Full Movie Online

HD 6.5 82 min

Overnight Full Movie Online: The Rise and Fall of Troy Duffy

In 1997, bartender Troy Duffy, an aspiring screenwriter and member of the band The Brood, embarks on a journey that would change his life forever. He successfully sells his script for The Boondock Saints to Miramax chief Harvey Weinstein for an impressive $300,000, marking the beginning of his Hollywood dreams. Duffy is taken on by the William Morris Agency, despite having no prior film experience or formal education in filmmaking.

The Dream of Directing: A $15 Million Opportunity

In a surprising turn of events, Weinstein agrees to let Duffy direct The Boondock Saints with a substantial budget of $15 million. Additionally, The Brood is set to produce the film’s soundtrack and secure a recording contract with Maverick Records. To further sweeten the deal, Weinstein purchases J. Sloan’s, the Los Angeles bar where Duffy works, and hires him to manage it. Duffy enlists friends Tony Montana and Mark Brian Smith to manage The Brood and document his rise in the film industry.

The Highs of Success: A Glimpse into Hollywood Life

Initially, Duffy revels in his newfound success, entertaining celebrities at his bar, dining in upscale hotel restaurants, and moving into a production office where he holds teleconferences with major Hollywood producers. However, this success is short-lived as Duffy’s arrogance and abusive behavior begin to tarnish his reputation. He believes he is the next big power-player in Hollywood, leading to a series of unfortunate events.

Duffy’s behavior becomes increasingly erratic as he insults actors considered for roles in The Boondock Saints, including Ethan Hawke and Keanu Reeves. His mispronunciation of Kenneth Branagh’s name, followed by a derogatory remark, showcases his growing disdain for industry professionals. As the film’s production stalls, Duffy threatens to leave William Morris for a rival agency, alienating both Weinstein and his production team in the process.

The Downfall: Blacklisted in Hollywood

Rumors circulate that Weinstein has informally blacklisted Duffy, leading to a swift decline in his career. Miramax puts The Boondock Saints in turnaround, and Duffy finds himself without any industry contacts. His dreams of directing the film begin to fade as conference calls are refused, and he struggles to regain his footing in Hollywood.

Musical Aspirations: The Brood’s Struggles

Duffy’s musical endeavors are equally disappointing. Famed guitarist Jeff “Skunk” Baxter shows interest in producing The Brood, praising lead vocalist Taylor Duffy. However, during recording sessions, Duffy’s attempts to take control lead to conflicts with Baxter and producer Ron Saint Germain. Ignoring advice and concerns about the band’s heavy drinking, Duffy’s refusal to adapt ultimately results in the band being dropped by Maverick Records.

After signing with Atlantic Records and renaming themselves The Boondock Saints, their debut CD sells a mere 690 copies, leading to their disbandment shortly thereafter. Duffy’s dreams of musical success crumble as quickly as they began.

A Second Chance: Financing The Boondock Saints

In 1998, Duffy finally secures financing for The Boondock Saints through Franchise Pictures, although the budget is less than half of Miramax’s original offer. The film is promoted at the 1999 Cannes Film Festival, but major American distribution companies pass on it. Despite a limited release in five cities, the film performs poorly and is pulled from distribution after just one week, only to be released on DVD and VHS later.

Unexpected Events: A Close Call

On the night of the film’s screening at the Palm Springs Film Festival, an unexpected incident occurs when a car jumps the curb and collides with Duffy and producer Chris Brinker. Fortunately, neither sustains serious injuries, but the driver and vehicle remain unidentified, adding to the chaos surrounding Duffy’s career.

The Aftermath: A Sleeper Hit and Financial Ruin

Although The Boondock Saints becomes a sleeper hit on home video, Duffy’s contract with Franchise Films prevents him from profiting from the film’s television, home media, or foreign sales. As time passes, Duffy finds himself spending all the money he earned from his film and record deals. His bar closes, and he struggles to secure any work in Hollywood, remaining stagnant for six years after the production of The Boondock Saints.